Maryia Virshych 8/19/24 Maryia Virshych 8/19/24

Art by Artists

A quick conversation about my ideas and practice.

Maryia Virshych 8/2/24 Maryia Virshych 8/2/24

SuboArt Magazine

I talk about my work for SuboArt magazine, issue 24.

Maryia Virshych 7/21/24 Maryia Virshych 7/21/24

Mediterraneo

“Mediterraneo”.
Exhibition of the finalists of XXXI Competition of Contemporary Ceramics Grottaglie.

Maryia Virshych 12/30/23 Maryia Virshych 12/30/23

Winter Exhibition at Thrown Contemporary

My work in the Winter Exhibition 23/24 at Thrown Gallery

Maryia Virshych 6/8/23 Maryia Virshych 6/8/23

Studio Visit

A quick studio tour!

Maryia Virshych 4/15/23 Maryia Virshych 4/15/23

Meet the Maker

My thoughts on virmary and ceramics as a whole.

Maryia Virshych 11/4/22 Maryia Virshych 11/4/22

Making Of

Making of a set of porcelain tumblers.

Maryia Virshych 12/11/21 Maryia Virshych 12/11/21

Philosophy

Virmary was conceived from a persistent desire to slow down. To pause, to reflect, to quit the destructive race of modern capitalism. Below are some of the main ideas gently driving me forward.

Maryia Virshych 8/22/21 Maryia Virshych 8/22/21

Slow Revolution

An excerpt from a lovely article by Katie De Klee for Cluster Crafts.

Maryia Virshych 4/19/21 Maryia Virshych 4/19/21

Practices vs. Goals

A piece of thoughtful guidance on prioritizing present over future, by relying on practices instead of goals.

Maryia Virshych 3/6/21 Maryia Virshych 3/6/21

In Praise of Shadows

A book recommendation. "In Praise of Shadows" is an essay on aesthetics by XXth century Japanese novelist Junichiro Tanizaki. It is a very slow relaxing reading, focused on seemingly banal and casual aspects of everyday objects that make all the difference.

Maryia Virshych 2/17/21 Maryia Virshych 2/17/21

How things come to be? Ideas and techniques.

How things come to be? A short tour of my creative process, from the initial thought to the final almost eternal object.

Maryia Virshych 2/15/21 Maryia Virshych 2/15/21

Materials I choose and why.

The choice of materials I work with is a very consequential one. They define the appearance and functionality of the object as well as the technique I employ to produce them. This is why it’s so important to get it right.